At what point in your weaving career do you stop making errors? Read on about a few that I just made.
Like many people around the world, I’m choosing to practice social distancing. While I’m stuck at home, I’m going to use my newfound free time to take on a few of my “someday” weaving projects.
Someone once told me that experienced weavers didn’t read Handwoven. I beg to differ.
Staying in might spur you to try new techniques such as the weft color blending I used in my scarf.
In his new book True Colors (Thrums Books 2019), author Keith Recker interviews 28 artisans about their methods and their relationships to dyes. Here is an excerpt.
You might think that yarn made out of banana fibers is a new thing but in fact it has been around for a long time. Liz Moncrief wove samples with it with great success.
Taking a project from design through sampling and then completion is slower when you weave only on the weekends.
Why publish two projects based on the same tree? While both designers cite the birch tree as their inspiration, the different ways they each interpreted bark as cloth is absolutely fascinating.
One way to design with multiple colors is to start with a neutral base and add colors to it but it helps to have a plan.
We all have cones and skeins of yarn that have stories that make them too special to use in just any project.