Sometimes better things happen when you have to change your plans.
It's hard to please everyone all the time, but I think you will agree with me that this is a beautiful collection of 4-shaft handwoven scarves.
We all know the new November/December 2019 issue is printed on great paper, but what about the projects and articles printed on those extra-thick and beautifully white pages?
We think weaving is on the upswing! Send us your projects and articles about Thoroughly Modern Weaving!
I'd like to think I can weave with pets in my studio, but it hasn't worked out that way.
Ever wonder about the weird fractions in Handwoven? Based on the mail we get, you are not alone.
Some of my best laid plans in weaving haven't turned out the way I thought they would.
To make a floating selvedge "float" you need to weight it in some way. Through trial and error (mostly error) I've found the best (and worst) ways to weight your floating selvedges.
Linda Ligon wrote this poem and read it during the Schacht Spindle Company's 50th anniversary celebration in September 2019. We hope you love it as much as we do.
In the early years of Interweave, I tended to go overboard on paper quality. My decisions were emotional, not rational, though. I thought that the paper should be as beautiful and feel as wonderful as the textiles we were printing on it.
Chantilly lace is more than just a pretty face. It's a type of bobbin lace with a long history and ties to Marie Antoinette and Napoleon.
You might be familiar with the eye roll I get on the rare occasions when I ask someone to help me wind a warp on my loom.
What better way to honor her father, Tom Knisely, than with a beautiful handwoven runner inspired by a project he wove and published in Handwoven years ago?
Since beginning her independent craft publishing project in 1975, Linda Ligon saw the weaving, spinning, and needlework magazines move to bigger and bigger offices. But there’s no place like home.
