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Knitters have known and loved Icelandic lopi yarn for years, but as Anita Osterhaug points out, it’s wonderful for weaving as well.
One of my absolute favorite books as a teen was The Hitchhiker’s Guide to the Galaxy by Douglas Adams. It taught me to always bring a towel, although now as a weaver, I might amend that to always bring a shawl.
It made me think about some of the weaving opinions you hear about today that I believe don’t actually hold up to scrutiny.
Last year a parliament of owls stopped by some trees near the office. Weavers and birds have a lot in common. Don’t believe me? Please allow me to elucidate.
Most projects need some sort of finishing touches, whether it is knotting, twisting fringe, hemming, or clipping and sewing in ends. And even then, an experienced weaver will tell you that the project still isn’t finished.
I’ve taught a fair amount of beginning weaving on rigid-heddle and floor looms, and I’ve noticed that many beginners are self-critical about their selvedges and beat.
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Sometimes two things come together and make a design come to life. That’s what happened when Angela K. Schneider looked at a rigid-heddle warp she had designed for a class and saw the colors of Mardi Gras. Her rigid-heddle Mardi Gras scarf came to life!
Deborah Jarchow placed two strips of plain-weave fabric on the diagonal to construct her clever and playful Play the Angles Poncho with the fold-down collar. You don’t need a big loom for this project; the two strips can be woven on a 12” rigid-heddle loom
Deborah Bagley found booklets from the mid-1900s that feature pin loom weaving patterns that are anything but plain. She based her Pin-Striped Pin-Loom Pillow on float patterns she found that add texture, and then she added colors to enhance that texture.