I believe weaving is on the upswing. It may be strictly anecdotal and I may be biased (imagine!), but in the past few years, I’ve noticed many new weaving books being published, a surge in membership in my own weaving guild, and more interesting weaving.
I look at my yarn stash and wonder how long it would last if I never bought another cone but used only what I already have.
The feedback I’ve received from viewers of my video The Loom Owner's Companion has been unbelievable and very positive.
During this video shoot, I learned three very important things: Tom is a remarkable host who handles any setback in stride; pillowcases can work as lighting baffles; and flax and linen are really, really cool.
I love weaving that boldly proclaims its complexity—the sorts of projects that make weavers and nonweavers alike ooh and ahh. Deflected doubleweave, for example, is bold and loud in all the best ways, a bit like the Dolly Parton of weaving.
Am I the only one intimidated by “random” warping? I love the look of it, but I can’t seem to bring myself to let loose at the warping board. Enter Sarah Resnick’s Sunset Towels from the January/February 2019 issue of Handwoven.
You might not realize it, but the Shakers of old gave us a lot to be thankful for. Do you own a flat-bottomed broom? Those were first patented by a Shaker. Do you enjoy buying packages of seeds every spring? Shakers invented those, too.
Madelyn gives a clever trick for dealing with changing weft colors multiple times throughout a weaving.
I recently moved into an adobe farmhouse built in 1930. Now that we’re finally unpacked, I’ve been working on decking my house out with antique furniture and table linens that match.
