Am I the only one intimidated by “random” warping? I love the look of it, but I can’t seem to bring myself to let loose at the warping board. Enter Sarah Resnick’s Sunset Towels from the January/February 2019 issue of Handwoven.
You might not realize it, but the Shakers of old gave us a lot to be thankful for. Do you own a flat-bottomed broom? Those were first patented by a Shaker. Do you enjoy buying packages of seeds every spring? Shakers invented those, too.
Madelyn gives a clever trick for dealing with changing weft colors multiple times throughout a weaving.
I recently moved into an adobe farmhouse built in 1930. Now that we’re finally unpacked, I’ve been working on decking my house out with antique furniture and table linens that match.
Imagine this: the perfect day of weaving, when everything that could go right does go right.
We are super-pleased to debut our latest video project with Tom Knisely. A regular contributor to Handwoven magazine, Tom has also taught beginning weaving, rug weaving, how to care for your loom, and a variety of other topics.
Winding a warp with lots of colors, especially in a complex pattern, can be an awkward process. Madelyn explains the easiest way to do it.
Madelyn shares her tips for yarn substitutions when you can't or don't want to use the yarn specified in your weaving patterns.
Deflected doubleweave is a delightful, versatile structure. You can use it to weave up circles, flowers, and even bubbles. When she wanted to weave a scarf inspired by the beautiful mosaics she saw in Spain, Anu Bhatia turned to deflected doubleweave.
Here is a dilemma: I have inherited several cones of two different yarns and would like to make a table runner, but I'm not confident in how to approach it.