Through study and sampling Tien Chiu learned two simple rules that will help you in your own color choices.
I remember the first time I saw deflected doubleweave—it was a set of scarves woven by Madelyn and featured in the January/February 2007 issue of Handwoven.
Handwoven Loom Theory: 8-Shaft Scarf Collection is not just a celebration of weaving and complex designs, but also of fine yarns—silk, wool, lyocell, and linen—from well-loved yarn companies.
Ever wondered how bleach works? Christina breaks down the chemical processes that help us keep our whites extra white.
Behind the drafts and swatches in this one volume of 8-shaft weaving patterns lies a story of women with extraordinary dedication.
Want to feel the thrill of twill? Check out Robyn’s twill workshops.
In her simple Fingerwoven Bracelet projects from the March/April 2019 issue of Handwoven, Carol James provides the perfect project for learning this fun technique.
One of my favorite parts of working on my Ancient Rose Scarf for the March/April 2019 issue of Handwoven was taking the time to research overshot and how it fits into the history of American weaving.
I've heard of something called a dummy warp, where some inexpensive yarn is tied to the apron rod and then the real warp is tied to that, so that the cheap yarn becomes the loom waste.
This simple, straightforward scarf uses 4 colors of 2/10 merino/Tencel. The warp has a main color and 2 accent colors, and the weft is another color altogether.