Susan E. Horton’s Sweet Simplicity Towels are a simple weave combined with a classic color palette.
One of my favorite parts of working on my Ancient Rose Scarf for the March/April 2019 issue of Handwoven was taking the time to research overshot and how it fits into the history of American weaving.
In her Texas Bluebonnets Towels Cheryl Leib beautifully captures the essence of the bluebonnet in warp and weft.
This simple, straightforward scarf uses 4 colors of 2/10 merino/Tencel. The warp has a main color and 2 accent colors, and the weft is another color altogether.
Do you dream of handweaving a traditional coverlet for your bed but don’t have a loom wide enough? For her Alaska Flag Doubleweave coverlet in the March/April 2019 issue of Handwoven, Sara Pate did just that.
I was delighted to see Madelyn van der Hoogt listed as the inspiration for Ann Weymouth’s Tied Overshot Journey Runner in the March/April 2019 issue of Handwoven.
If you want to try weaving with vicuña fiber you can try mixing it with a less expensive, but equally luxurious fiber in the warp such as guanaco or qiviut.
During the mid- to late-eighteenth century, drizzling became quite the fashion in France to carefully remove gold and silver threads from other textiles so they could be sold.
