Tien Chiu is an award-winning designer and weaver, evident in her Flower Scarves from Handwoven May/June 2018. Based on colors from a photograph of flowers, Tien carefully planned a striped warp that highlighted her chosen colors.
For weft threads that interlace less often than in a balanced plain weave, the weft angle will need to be less steep. Experiment, following the steps outlined here until you find the angle that works.
It made me think about some of the weaving opinions you hear about today that I believe don’t actually hold up to scrutiny.
Deanna Deeds is one of my favorite weaving designers. She brings a fresh, insightful approach to all of her weaving projects, solving problems as she goes. The Plaid Windows Blouse by Deanna, found in Handwoven May/June 2018, is no exception.
This is the third of a five-part series by Elisabeth Hill describing her process of designing a handwoven napkin project for Handwoven. The napkins are finished now and she is reflecting on the tools she used.
As a challenge to myself and to prepare the way for the new cones of yarn I intend to purchase at the marketplace, I decided to weave stashbusting towels that would use up some practically empty cones of 8/2 cotton I already had.
’Tis the season for going to fiber events and woolly gatherings!
I have a question about an issue that is being discussed in my guild. Should you leave the lease sticks in the warp, behind the shafts, after you have finished threading?
For those of you out there who are ready to make the step from weaving patterns to adjusting them to fit your own needs, but are worried about the math, shrinkage, or other issues we have got the web seminar for you!
