My favorite type of project is the one that looks complicated but in reality is just really clever. You know those projects, the ones that folks—especially nonweavers—ooh and aah over, exclaiming how difficult it must have been. Barb Wainright’s Swe
There are several different ways to treat the hems of a fabric with a supplementary pattern weft. Madelyn explains a few!
It’s been a while, but BeWeave It headquarters is back up and running again, and we couldn’t be more pleased. To kick off our new season of fun fiber facts and current events, we’re going to India to learn about the spectacular embroidery of Banjara.
I’m working with 16/2 cotton that I originally sett at 30 epi. That might be a great sett for plain weave, or even a scarf, but when I finally sampled my M’s and O’s pattern, I saw immediately that a sett of 36 was a better choice for towels.
I have some questions about weaving huck lace. I have woven several projects and none of them have turned out the way I hoped they would. Help!
I am interested in making the Travel Shawl on page 32 of the May/June 2018 issue of Handwoven. Is there a way to convert the rigid-heddle draft for use on a 4- shaft table or floor loom?
Phillenore Howard’s twill and basketweave napkins and the rest of the projects from the Silver City Weavers’ Tea Study Group featured in the September/October 2018 issue of Handwoven came about in just this way.
I love chenille scarves and I love Tencel scarves, but I would never have thought to combine the two. Fortunately, just like the brilliant minds that combined peanut butter and chocolate, Sarah Jackson thought to combine chenille and Tencel, and the resul
Maybe I haven’t been paying attention, but I have never seen bead leno used as effectively as Deanna Deeds used it in her Bead Leno Scarf in the Loom Theory Four-Shaft Scarf Collection.
There’s just something about handwoven lace scarves. They’re timelessly elegant and go with just about anything.