I love weaving that boldly proclaims its complexity—the sorts of projects that make weavers and nonweavers alike ooh and ahh. Deflected doubleweave, for example, is bold and loud in all the best ways, a bit like the Dolly Parton of weaving.
Am I the only one intimidated by “random” warping? I love the look of it, but I can’t seem to bring myself to let loose at the warping board. Enter Sarah Resnick’s Sunset Towels from the January/February 2019 issue of Handwoven.
You might not realize it, but the Shakers of old gave us a lot to be thankful for. Do you own a flat-bottomed broom? Those were first patented by a Shaker. Do you enjoy buying packages of seeds every spring? Shakers invented those, too.
I recently moved into an adobe farmhouse built in 1930. Now that we’re finally unpacked, I’ve been working on decking my house out with antique furniture and table linens that match.
Imagine this: the perfect day of weaving, when everything that could go right does go right.
I’m not sure exactly when it happened, but somehow, over these past few years, buffalo plaid moved its way from the rustic fringes to become the dominant plaid during the holiday season. It seems like it's just about everywhere.
Want to weave a shawl that shimmers and shines? Look no farther than Nancy Dunlap’s delightful Fusion Sparkle Shawl from the January/February 2019 issue of Handwoven.
Deflected doubleweave is a delightful, versatile structure. You can use it to weave up circles, flowers, and even bubbles. When she wanted to weave a scarf inspired by the beautiful mosaics she saw in Spain, Anu Bhatia turned to deflected doubleweave.
Cloth covers us and keeps us warm, it decorates our home, and it helps keeps us cozy on cold winter nights. Cloth also holds onto memories, both large and small. My wedding dress brings back memories of hot weather and butterflies in my stomach.