In her Stained-Glass Scarf from the November/December 2018 Handwoven, Karen Isenhower uses a weaving by Else Regensteiner as her initial inspiration for this wonderfully fun Swedish lace scarf. Read what Karen has to say about her design.
I love it when weavers take traditional structures and weave them in such a way that it makes them into something more. Take Robin Wilton’s Huck Lace Meets Color-and-Weave scarf from the November/December 2018 Handwoven.
In her Wine and Roses Scarves from the November/December 2018 Handwoven, Jenny Sennott uses asymmetrical striping combined with a supplemental weft stripe and just a bit of lace to create a set of lovely scarves that you can’t help but ogle.
Using bead leno combined with an amazing grasp of color and pattern, Deanna has created a scarf that is lovely, lacy, and thoroughly modern.
Sometimes you want a complicated scarf project, one that has treadling repeats that go on for days, uses specialty yarns, and is sure to impress anyone and everyone who looks at it.
Nancy Rimsha started out as less than enthusiastic about shadow weave, but ended up falling for the structure thanks to her guild’s Weave Structures group. Learn more about how she learned to love shadow weave.
Swedish lace is one of those magical structures that allow you to weave multiple patterns on one warp, simply by changing the tie-up. In her Swedish lace linen towels from the November/December 2018 Handwoven, Kate Lange-McKibben shows you how to do just
As much as I do love a good runner, sometimes runners can be limiting because you can really only position them one way on any given table. Enter Laura Fry’s ingenious Bronson table mats from the November/December 2018 Handwoven.
Need a set of curtains for your kitchen windows? Weave up a set that fits perfectly! For Mary Berry’s Lacy Kitchen Curtains from the November/December 2018 Handwoven, that means Brooks bouquet curtains woven on a rigid-heddle loom.
My favorite type of project is the one that looks complicated but in reality is just really clever. You know those projects, the ones that folks—especially nonweavers—ooh and aah over, exclaiming how difficult it must have been. Barb Wainright’s Swe
